The 38th International Festival of Angoulême comic does not disappoint, offering the public who come from all over Europe (and beyond) four intense days: conference concerts, shows, exhibitions of great quality and opportunities to meet loved authors, to get their autographed comic book or maybe crossing them on the street.
Why is the city to mobilize for Festival, to become a place of celebration and sharing. It gives us the opportunity to meet Baru, the master of French comic book, the author of hits like L'autoroute du soleil (Coconino Press) or The years Sputnik (Kappa editions) that "rejects" the definition of artist.
Why is the city to mobilize for Festival, to become a place of celebration and sharing. It gives us the opportunity to meet Baru, the master of French comic book, the author of hits like L'autoroute du soleil (Coconino Press) or The years Sputnik (Kappa editions) that "rejects" the definition of artist.
sottometters not want to see the logic contained in a cartoon species of series B of culture, a product for teens, teens and eternal idiots. Things started to change since the early seventies, he says, and though today the landscape is very different this injury persists. One thing that surprises us, given the situation much worse in Italy.
Baru is passionate when he talks about comics that he is an emotional and synaesthetic: this has never worried too much about the realism of his characters: it is something that comes from her need to tell what has always fed, his life experiences. He tells us he likes to tell stories of adolescent boys, not because I have nostalgia for that period of existence, rather the characteristic trait of youth, "the hunger for life."
A hunger that often is not satisfied and thus creates monsters. For example, in Poor invalidity (Coconino Press, 2010), the graphic novel adaptation of a novel that was founded by Pierre pelota, seems to find the same atmosphere of Fargo, the Cohen brothers' film: that of the descent into the hell of the banality of evil. "Exactly what I wanted to talk," says Baru.
Employment a story set in a small company that lives an industrial disaster, where there is more work for anyone, I was able to dissect the material becomes moral impoverishment, analyzing in depth the logic. Evil is not an abstraction, but something real tied to the collapse of a social structure, human behavior that I believe strongly bound to despair. The characters try to escape the determinism that wants them confined in a precise way, they are alive and want to live differently, and are found to collide with the violence of that system. " A job
black concedes nothing to hope. No crack. A pessimistic view, however, that does not belong entirely to the author that likes to call himself an optimist-pessimist. "Although I believe the basic goodness of human beings "so explains his contradictory position," are discouraged from observing the conditions under which he lives and, therefore, can express its nature. "
His speech is passionate. "I am convinced, to comment on the contemporary political situation, to which Sarkozy is just a moment. Passenger. And so I hope to Berlusconi's Italy. We live in a society that is still acceptable but also highly at risk. " He continues talking
of his anthropology. "Any person is capable of the worst, yet the man has a chance to fight this trend. It can do with the imagination that is not something innate. Develops and grows in comparison with others and makes the best man. The problem is when there are no stimuli, and closures when barriers prevent this. " A thought that we would say
Socratic . Baru record shared by pushing the rest of the conversation on the same track. This is why Aristotle became the pretext to discuss the link between food and culture. Indeed, for Baru, one can not talk about working class culture, and culture in general, let alone food, "the value of which" is convinced, "depends very much on how it is earned. Take the case of immigrants Italians and their relationship with polenta and pasta.
The first was a food more connected to the idea of \u200b\u200bpoverty, improvement of economic conditions, has been refined and gradually replaced by other food consumption. For this reason the relationship with food, as it is chosen, prepared and presented, has a particular cultural value. is the tangible record of its evolution. " Stumble at every step in the Italian origins of Baru, the father was the Marches, and the same is very much alive in his past and future production.
'The Italians' says, ' are an example of successful integration. Although in the past Rital was a derogatory word to speak Italian (a little 'how to talk about a German Kraut NDA), today took on a tinge of legitimacy. I am a Rital "Baru said, laughing. Why is that? "For the simple reason that immigrants who came after it took place. The Italian immigrants were integrated because they have had the chance to work.
Unlike the Arabs, eg condannanti exclusion today. In other words there is no reason for social inclusion. " No wonder, then, that in future projects there is also the one to tell its story of an Italian family fled during the fascist period, its successful integration and price paid to obtain it. Baru and has no doubts about the title: Hello Beautiful. We can only hope that his publisher agrees.
Baru is passionate when he talks about comics that he is an emotional and synaesthetic: this has never worried too much about the realism of his characters: it is something that comes from her need to tell what has always fed, his life experiences. He tells us he likes to tell stories of adolescent boys, not because I have nostalgia for that period of existence, rather the characteristic trait of youth, "the hunger for life."
A hunger that often is not satisfied and thus creates monsters. For example, in Poor invalidity (Coconino Press, 2010), the graphic novel adaptation of a novel that was founded by Pierre pelota, seems to find the same atmosphere of Fargo, the Cohen brothers' film: that of the descent into the hell of the banality of evil. "Exactly what I wanted to talk," says Baru.
Employment a story set in a small company that lives an industrial disaster, where there is more work for anyone, I was able to dissect the material becomes moral impoverishment, analyzing in depth the logic. Evil is not an abstraction, but something real tied to the collapse of a social structure, human behavior that I believe strongly bound to despair. The characters try to escape the determinism that wants them confined in a precise way, they are alive and want to live differently, and are found to collide with the violence of that system. " A job
black concedes nothing to hope. No crack. A pessimistic view, however, that does not belong entirely to the author that likes to call himself an optimist-pessimist. "Although I believe the basic goodness of human beings "so explains his contradictory position," are discouraged from observing the conditions under which he lives and, therefore, can express its nature. "
His speech is passionate. "I am convinced, to comment on the contemporary political situation, to which Sarkozy is just a moment. Passenger. And so I hope to Berlusconi's Italy. We live in a society that is still acceptable but also highly at risk. " He continues talking
of his anthropology. "Any person is capable of the worst, yet the man has a chance to fight this trend. It can do with the imagination that is not something innate. Develops and grows in comparison with others and makes the best man. The problem is when there are no stimuli, and closures when barriers prevent this. " A thought that we would say
Socratic . Baru record shared by pushing the rest of the conversation on the same track. This is why Aristotle became the pretext to discuss the link between food and culture. Indeed, for Baru, one can not talk about working class culture, and culture in general, let alone food, "the value of which" is convinced, "depends very much on how it is earned. Take the case of immigrants Italians and their relationship with polenta and pasta.
The first was a food more connected to the idea of \u200b\u200bpoverty, improvement of economic conditions, has been refined and gradually replaced by other food consumption. For this reason the relationship with food, as it is chosen, prepared and presented, has a particular cultural value. is the tangible record of its evolution. " Stumble at every step in the Italian origins of Baru, the father was the Marches, and the same is very much alive in his past and future production.
'The Italians' says, ' are an example of successful integration. Although in the past Rital was a derogatory word to speak Italian (a little 'how to talk about a German Kraut NDA), today took on a tinge of legitimacy. I am a Rital "Baru said, laughing. Why is that? "For the simple reason that immigrants who came after it took place. The Italian immigrants were integrated because they have had the chance to work.
Unlike the Arabs, eg condannanti exclusion today. In other words there is no reason for social inclusion. " No wonder, then, that in future projects there is also the one to tell its story of an Italian family fled during the fascist period, its successful integration and price paid to obtain it. Baru and has no doubts about the title: Hello Beautiful. We can only hope that his publisher agrees.
Silvia Santirosi
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