EUTELIA and 187 (TELECOM) worsens the climate in call-center
two press unit to show how close working conditions in call centers and Eutelia 187 (Telecom Italy) are, it seems incredible turn for the worse, no doubt the situation in Eutelia is not the most optimistic and the unions are looking for a confrontation to save this important TLC. Pure Telecom, operators face every day with 187 free and unwarranted escalation by the company. Read the press on
EUTELIA and 187
Tuesday, February 22, 2011
Wednesday, February 16, 2011
Combact Action Badge Measurements
The role of luck in human life: Festival of filosifia of Modena in 2010
(Via Po, 20 November 2010)
Unexpected creativity, risk theory and techniques of his computability unprecedented tension between the standard and if remedied, gambling and betting, travel and adventure: these are some of the ways in which the theme was declined Fortuna, keyword of ' last Festival of Philosophy in Carpi, Modena and Sassuolo, now in its tenth edition. The fact that we live in a world dominated by uncertainty, both on a personal level (lack of job and emotional) and collective (sunset horizons and ideologies, threatened by overwhelming force in the financial or environmental) that makes a crucial question of fate, favorable and unfavorable, that is, setting the status contingency as the litmus test of the relationship between possible and necessary.
Among the many responses made, two seem to indicate a common horizon of practicality. We are talking of the thoughts that Massimo Cacciari, professor of Aesthetics at the University Vita-Salute San Raffaele in Milan, and Emanuele Severino, a professor of Theoretical Philosophy at the same University, presented and discussed with the public during can , keynote the first, Fate and freedom, that of the second. A question that, in both cases, part of the language, weakened and worn today by the irresponsible use made of it in the belief that the link between power and knowledge it is the base. Here is that "knowledge becomes more difficult, complex, inaccessible," said Cacciari in his speech, "let alone the will to act." Not to mention that, Severino contends, "the way in which words are made earlier than that expresses a wisdom that is manifested in the use made of it." Here then going back in search of a sense of what is said, a task that linguistics is not only exercise but an attempt to give an account of human speech, itself regarded as action. "The concepts of fate, destiny, have long been in disuse" continues Cacciari, "were undermined by the a chance occasionally. It is therefore to see if you can find a way not to leave anything to chance, but without returning to the visions of type provvidenzialistico. I am convinced that we can act in a way, while having no idea about a general sense of the world and of history. " You should go back to the ancient awareness, memory of Socrates, in short, that "knowledge does not know." Because even in a state of systemic uncertainty may decide, bearing in mind that it is provisional and falsifiable each choice. "The minute this, then" Cacciari concludes, "the decision may be taken in accordance with the principle of as if, regardless of whether possession of a teleology. "
Certainly nothing is more dangerous than the unknown and nothing is more prudent saving a look that pierces the veils of the future, and reassured the man. "That's the myth, and later religions" Severino said, "try to inscribe the pain and the fear of death in a setting that makes sense, anticipating them, makes them bearable. The advent of philosophy tries to fight this conceptualization of the eternal (that is mythical or religious) that changing in fate, it becomes more dangerous than what he originally wanted to defeat. But the profound meaning of liberation, "continued the philosopher, "Lies in the dissolution of things from the relationship with the being and nothingness: for example, when a man is born, it is freed from the bond with anything and when he dies is the release from. Both fate and freedom are but two ways of understanding the oscillation between these two poles. This is why it makes no sense to speak of choice, because we must move beyond these concepts. "
In other words, the invitation to address the two thinkers is not to suffer or escape the crisis, but re-thought to reside. And to test the human condition from the perspective of the human condition itself.
Silvia Santirosi
Tattoo Of Silver Fern
SUDDEN STOP ACTION AGAINST L.122
All actions undertaken against the harmful effects of Law 122 transfers from the Special Funds have suffered a setback due to the rejection of amendments that Government representatives from trade unions contacted to raise awareness on the subject had attempted to push inside the decree Milleproroghe (read press).
The struggle continues, however, for other roads, among which promises a huge lawsuit. And in the meantime
ns. category is organizing regional meetings for the workers concerned in the short to mobility and retirement, to do a little 'more clarity in the light of these recent developments.
All actions undertaken against the harmful effects of Law 122 transfers from the Special Funds have suffered a setback due to the rejection of amendments that Government representatives from trade unions contacted to raise awareness on the subject had attempted to push inside the decree Milleproroghe (read press).
The struggle continues, however, for other roads, among which promises a huge lawsuit. And in the meantime
ns. category is organizing regional meetings for the workers concerned in the short to mobility and retirement, to do a little 'more clarity in the light of these recent developments.
Thursday, February 10, 2011
Covering Letter For Clothing Store
LOOK OUT (Story published on the image) The Lands of
February 6, 2011
returned from Paris and I find in the mailbox the December issue of the journal Imagination .
does not seem to have the mandate or other reviews ... so I open it curious ... who knows, I have included in their address.
The surprise comes on page 8.
They published the story that I sent. The most amazing thing, however, are the two lines under my name, in line with the text:
"Silvia Santirosi is a journalist, writer and poet. His writing like Romano Luperini"
Here. Here the heart has a little gasp.
Romano Luperini!
was 2009.
Exits for the types of Sellerio "The extreme age, and precious little novel by Romano Luperini. The presentation in Naples of the book gives me the opportunity to interview the author. And to meet in person one of the finest literary critics of our beautiful country.
Here is the text of the interview:
interview published in "Il Mattino di Napoli February 6, 2009. In
When submitting extreme age took place in Naples (Italian Institute of Philosophical Studies) on February 6 in the work of Felice Piemontese Antonio Saccone, Silvia Santirosi published this interview. It shows some excerpts, with some minor integration.
Silvia Santirosi:
This story is made of diaries that, rather than constructing a story, to reconstruct fragments of the present age that is changing. An ostensive gesture that seeks to indicate, allude to something without saying it. A visual writing, impressionistic, descriptive rather than narrative.
Romano Luperini:
For me the most important thing was to describe certain moods and emotional situations, to center the intersection between ethics and the existential dimension , the result tends to escape to writing essays. The question that concerns me is the destiny of Western man, an expression that returns even in the subtitle of my latest work, essays, and the case The meeting . The genesis of the two texts is parallel and has its roots in a reflection on the situation after 11 September. The atmosphere of postmodernism, the primacy of language and metaletteratura, the irony of quoting, they are rewriting failed around that date, but now longer feel the urgency of reality, the materiality of the facts and history. My romance is also born from this awareness.
Silvia Santirosi:
A proposed urgency of reality, what do you think of the phenomenon of the New Italian Epic?
Romano Luperini: I
is primarily a journalistic or found a proposal for self-promotion. E 'which are grouped under the label too many different experiences. I do not see what we have in common and Camilleri Ming Wu, or Wu Ming and Saviano. There is an abyss, and in this second case, for example, to the benefit of Camilleri or Saviano.
Silvia Santirosi:
The book talks about a framework of Kirchner, "Summer Davos", the protagonist goes to see the MOMA in San Francisco . Why this choice?
Romano Luperini: A
Kirchner is part of the cover also The meeting and the case . Kirchner is obviously a passion of mine. Under "Winter in Davos" is a man, perhaps an old man dragging a cow on a steep slope, with great stubbornness. A sort of obstinacy, or resistance, even passive, but tenacious. It 's a picture of old age of the protagonist.
Silvia Santirosi:
But the hero himself as passed, as if every action was impossible now ...
Romano Luperini:
I would say that the book is a tragic pessimism, but not surrendered. For example, the female character, Claudine, is there to remind us that "we must make something happen."
Silvia Santirosi:
But Claudine is invoked at the end to help the main character to disappear ...
Romano Luperini:
; Claudine represents the feminine, the womb of birth but also that of death. Can ideally help them prepare for the protagonist, to be accepted by death. What little hope and positivity that is in the book is still entrusted to her. Not for nothing that belongs to a generation later than that of her husband, George.
Silvia Santirosi:
In fact George is the perfect representative of a generation "beyond the despair and hope."
Romano Luperini:
George embodies the nihilism of hilar generation that grew up in the eighties and nineties. Fortunately, the end of history, the primacy of language and so on. I do not seem to be more commonplace. The age of globalization and the postmodern that began in the seventies of course is still going on, but the ideology of postmodernism, that accompanied the birth of this new historical period, it seems outdated.
Silvia Santirosi:
This story is made of diaries that, rather than constructing a story, to reconstruct fragments of the present age that is changing. An ostensive gesture that seeks to indicate, allude to something without saying it. A visual writing, impressionistic, descriptive rather than narrative.
Romano Luperini:
For me the most important thing was to describe certain moods and emotional situations, to center the intersection between ethics and the existential dimension , the result tends to escape to writing essays. The question that concerns me is the destiny of Western man, an expression that returns even in the subtitle of my latest work, essays, and the case The meeting . The genesis of the two texts is parallel and has its roots in a reflection on the situation after 11 September. The atmosphere of postmodernism, the primacy of language and metaletteratura, the irony of quoting, they are rewriting failed around that date, but now longer feel the urgency of reality, the materiality of the facts and history. My romance is also born from this awareness.
Silvia Santirosi:
A proposed urgency of reality, what do you think of the phenomenon of the New Italian Epic?
Romano Luperini: I
is primarily a journalistic or found a proposal for self-promotion. E 'which are grouped under the label too many different experiences. I do not see what we have in common and Camilleri Ming Wu, or Wu Ming and Saviano. There is an abyss, and in this second case, for example, to the benefit of Camilleri or Saviano.
Silvia Santirosi:
The book talks about a framework of Kirchner, "Summer Davos", the protagonist goes to see the MOMA in San Francisco . Why this choice?
Romano Luperini: A
Kirchner is part of the cover also The meeting and the case . Kirchner is obviously a passion of mine. Under "Winter in Davos" is a man, perhaps an old man dragging a cow on a steep slope, with great stubbornness. A sort of obstinacy, or resistance, even passive, but tenacious. It 's a picture of old age of the protagonist.
Silvia Santirosi:
But the hero himself as passed, as if every action was impossible now ...
Romano Luperini:
I would say that the book is a tragic pessimism, but not surrendered. For example, the female character, Claudine, is there to remind us that "we must make something happen."
Silvia Santirosi:
But Claudine is invoked at the end to help the main character to disappear ...
Romano Luperini:
; Claudine represents the feminine, the womb of birth but also that of death. Can ideally help them prepare for the protagonist, to be accepted by death. What little hope and positivity that is in the book is still entrusted to her. Not for nothing that belongs to a generation later than that of her husband, George.
Silvia Santirosi:
In fact George is the perfect representative of a generation "beyond the despair and hope."
Romano Luperini:
George embodies the nihilism of hilar generation that grew up in the eighties and nineties. Fortunately, the end of history, the primacy of language and so on. I do not seem to be more commonplace. The age of globalization and the postmodern that began in the seventies of course is still going on, but the ideology of postmodernism, that accompanied the birth of this new historical period, it seems outdated.
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